Political philosophy and political life itself have entered a post-everything phase, and this has rendered the very meaning of America on shaky grounds.
Neither here nor there, dabbling in pseudo-history with the purpose of advancing ideology, the new season of Netflix’s dystopian anthology series leaves the viewer feeling empty.
In Reagan’s film, “Night Unto Night,” as in most post-war American movies, an uneasiness about what the future may bring remains the only thing that’s certain.
H. C. Potter’s 1947 romantic comedy, “The Farmer’s Daughter,” shows how both marriage and politics in America can be a thrilling combination of idealistic and imperfect at the same time.
The oppressive and inevitable nature of time presses on, making one understand that freedom is possible but only through the acceptance of the present.
“Cattle Queen of Montana” was a project that brought joy to Ronald Reagan and Barbara Stanwyck, expanded their already formed friendship, and continued the mutual warmth and kind regard.
It’s important to know the difference between a person who is trying to live authentically and a person who is a fully willing fraud, peddling in lies that masquerade as truth.
One cannot quantify sex and eros. It is a relationship that is mysterious and cannot be snuffed out by the ham-fisted attempts of ideologues to destroy it.