The media is filled with endless content about how bad today’s films are and the glut of superhero nonsense. “Emily” is a ravishing and real alternative.
Before iPhones and the internet and Twitter and outrage culture, there was an understanding that beneath the veneer of civilization was something wild, dangerous, and joyful.
The end of the aspirational sectors of culture—highbrow, middlebrow, and lowbrow—has come, with a kind of ubiquitous, bland, liberal populism to replace it.
Culture should not merely be passive entertainment, but an active (and often edifying) journey toward a better understanding of what it means to be human.