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Author:
Emina Melonic
The Truth is Out There
By
Emina Melonic
—
July 31, 2023
Katharine Hepburn, the Marble Goddess?
By
Emina Melonic
—
June 27, 2023
The Empty Indifference of ‘Black Mirror’
By
Emina Melonic
—
June 22, 2023
The Ghosts of Postwar America
By
Emina Melonic
—
June 13, 2023
The Voice of Ronald Reagan
By
Emina Melonic
—
June 6, 2023
Return to the Story
By
Emina Melonic
—
May 31, 2023
The Right Sound of
Glenn Miller and James Stewart
By
Emina Melonic
—
May 23, 2023
Cary Grant’s Search for
Lost Youth
By
Emina Melonic
—
May 16, 2023
The Frenetic Noise of
‘His Girl Friday’
By
Emina Melonic
—
May 9, 2023
Courage in the Air
By
Emina Melonic
—
May 3, 2023
The Manliness of Screwball Comedy
By
Emina Melonic
—
April 18, 2023
An Idealistic and Imperfect American Love Story
By
Emina Melonic
—
April 11, 2023
Our Constitutional Doom Loop
By
Emina Melonic
—
April 5, 2023
Authentic and Inauthentic Love in ‘Laura’
By
Emina Melonic
—
March 28, 2023
An Uneasy Victory Over Human Folly Along the ‘Santa Fe Trail’
By
Emina Melonic
—
March 21, 2023
The Oppressive Capture of the Past in ‘Key Largo’
By
Emina Melonic
—
March 14, 2023
Finding Friendship and Fortitude, Even in a Flop
By
Emina Melonic
—
March 7, 2023
Conquering the Chisholm Trail or the Men Who Conquered It?
By
Emina Melonic
—
March 1, 2023
Fakers, Frauds, and Fools
By
Emina Melonic
—
February 21, 2023
The Soviet Erotic and Today’s Misbegotten Effort to Kill Eros
By
Emina Melonic
—
February 8, 2023
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